影片通过六个章节来描述这个在1943年几乎遭到纳粹完全歼灭的塞萨洛尼基犹太群体的生活状态，以及他们所受到的威胁。过去和现在的交替构成了一个宽大的回音室，身处其间的观众将会体验到那令人惊骇的疯狂人性。

萨比格尼·瑞比克金斯基导演1988年制作的《Fouth Dimension》是一部极具视觉观赏性的影片，静物和人体都可以在思维空间中扭曲，特别是一对男女相拥时周围出现DNA的双螺旋结构，极富艺术感。浮动的精子、贝壳等性的象征物表现出阴阳结合的自然美好，歌颂了造物的神奇。

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

Июнь 1965 года. Порой, жёстко, в обход закона; порой, договариваясь с преступниками – Родион Стоцкий, за три года работы начальником ми лиции, превратил Гурзуф в самое спокойное место Южного Берега Крыма. Здесь даже пляжные мошенники предпочитают не работать. 　　Но в начале нового курортного сезона, за пару дней, происходит сразу несколько преступлений: расстреливают блатных в такси; грабят грузовик, который везёт зарплату для работников «Артека»; совершают разбойное нападение на подпольное игорное заведение. 　　Стоцкий понимает, что все эти преступления связаны, и он должен найти преступников в самое кратчайшее время. 　　В расследовании ему помогает старый знакомый Тарас Зайцев, который перебрался с семьёй в Крым следом за Стоцким. 　　Epic Media 已提供官方英字/ 中字

The City is a pioneering short documentary film from 1939 that contrasts the problems of the contemporary urban environment with the superior social and physical conditions that can be provided in a planned community. It was directed and photographed by Ralph Steiner and Willard Van Dyke based on a treatment by Lewis Mumford based on an outline by Pare Lorentz. Aaron Copland wrote the musical score and Morris Carnovsky provided the narration. To purchase a clean DVD of this film for personal home use or educational use contact us at [email protected]. To license footage from this film for commercial use visit: www.travelfilmarchive.com

利物浦，披头四的故乡，也是导演特伦斯·戴维斯的出生地，这是他写给这座城市的情歌与挽歌，弥漫着浓浓的乡愁，呈现出这城市曾经的模样。特伦斯·戴维斯回到家乡拍摄这部纪录片，捕捉时间在城市身上施给的魔法，用珍贵影像回溯这个城市的历史，绝佳的音乐选用、诗意念白和惆怅影像，堪称近年独特而感性的风格化纪录片。